Skip to main content

Review: Family History, by Vita Sackville-West


Pages: 315
Original date of publication: 1932
My edition: 1986 (Virago)
Why I decided to read: I like Vita Sackville-West’s books
How I acquired my copy: The Last Word bookshop, Philadelphia, August 2011


Family History is the story of a middle-aged woman’s relationship with a much younger man. Evelyn Jarrold is the mother of a teenage son, and although widowed, is still very much connected to her husband’s aristocratic family. She strikes up a relationship with Miles Vane-Merrick, an up-and-coming politician and writer 15 years her junior. The novel is set in the interwar years; a few characters from The Edwardians play a smaller role in this book (Viola and Leonard Anquetil, and Lady Roehampton).

It’s a flawed relationship, which the reader immediately senses isn’t going to turn out well. I loved how Vita Sackville-West depicts the relationship between Miles and Evelyn and the differences between them. Evelyn has a pretty conservative view of how relationships should be, and she’s never been in love before, so she turns out to be jealous, possessive, and domineering—exactly the wrong kind of woman for a man like Miles, who values independence and freedom above everything. Either way, both of them have very strong personalities. The problems are compounded by the fact that society certainly wouldn’t approve of their relationship, if they were ever open about it, for reasons of the age difference and social status.

You would think that, with the differences and problems between them in age and temperament, they wouldn’t be compatible, but Vita Sackville-West makes her reader understand why they’re attracted to each other. It’s inevitable that the relationship will end, but how will everyone fare, eventually? Sackville-West’s treatment of age is somewhat odd; Miles seems very middle-aged for a man in his twenties, and Dan, Evelyn’s seventeen-year-old son, seems much, much younger than his age. However, I love Vita Sackville-West’s descriptions of the English upper classes; she skewered her peers in The Edwardians and to a lesser extent in Family History.

I was a little confused by Vita Sackville-West’s use of the words “that” and thatt,” until I went back and read the Introduction to the VMC edition. “She attempts in this novel to introduce a spelling reform, writing ‘that’ as ‘thatt’ when it is used as a pronoun, to distinguish it from its other grammatical functions, as in, for example, ‘I fear that thatt will irritate my readers.’”

Comments

Popular posts from this blog

A giveaway winner, and another giveaway

The winner of the Girl in a Blue Dress contest is... Anna, of Diary of An Eccentric ! My new contest is for a copy of The Shape of Mercy , by Susan Meissner. According to Publisher's Weekly : Meissner's newest novel is potentially life-changing, the kind of inspirational fiction that prompts readers to call up old friends, lost loves or fallen-away family members to tell them that all is forgiven and that life is too short for holding grudges. Achingly romantic, the novel features the legacy of Mercy Hayworth—a young woman convicted during the Salem witch trials—whose words reach out from the past to forever transform the lives of two present-day women. These book lovers—Abigail Boyles, elderly, bitter and frail, and Lauren Lars Durough, wealthy, earnest and young—become unlikely friends, drawn together over the untimely death of Mercy, whose precious diary is all that remains of her too short life. And what a diary! Mercy's words not only beguile but help Abigail and Lars

Another giveaway

This time, the publicist at WW Norton sent me two copies of The Glass of Time , by Michael Cox--so I'm giving away the second copy. Cox is the author of The Meaning of Night, and this book is the follow-up to that. Leave a comment here to enter to win it! The deadline is next Sunday, 10/5/08.

Review: The Piano Teacher, by Janice Y.K. Lee

The Piano Teacher is a complicated novel. On the surface, it’s about a love affair between two British ex-patriots in Hong Kong in 1952-3. Claire Pendleton comes to Hong Kong with her husband Martin at a time when the world is still recovering from WWII; Claire takes up work as a piano teacher for the daughter of a wealthy Chinese family, where she meets Will Truesdale, the Chens’ enigmatic chauffeur. The book jumps back in time between the 1950s and the beginning of WWII, when Will is interned in Stanley, a Hong Kong camp for enemies of Japan. On “the outside” is Tudy Liang, Will’s beautiful Eurasian lover. There’s no doubt that Lee’s writing is beautiful. But there’s something lacking in this short, terse novel that I can’t quite put my finger on. First, I think it’s the tenses she uses when taking about each story: that which is set in the 1950s is in the past tense, while the war scenes are talked about in the present tense (confusing, no?) The interpersonal relationships of the m