Skip to main content

Review: The Tortoise and the Hare, by Elizabeth Jenkins


Pages: 252

Original date of publication: 1954

My edition: 1983 (Virago)

Why I decided to read: Amazon UK recommendation

How I acquired my copy: Ebay seller, July 2010

Imogen Gresham is 37, married to a very successful barrister. They have an eleven-year-old son, a rather beastly boy named Gavin. Imogen’s husband, Evelyn, develops a friendship with their neighbor, a wealthy fifty-something-year-old spinster named Blanche Silcox. She and Imogen are completely opposite; and it’s Evelyn’s relationship with Blanche that colors the whole tone of his relationship with his wife.

Imogen is a domestic, preferring home over hunting or any of the other country pursuits that her husband engages in. It’s partly due to this as well that their relationship becomes fraught with tension. They have nothing in common, so it’s really no wonder that Evelyn turns to an older woman (one much closer in age to him than Imogen is) for, at the very least, friendship. It’s an odd affair; usually the femme fatale is a younger, not some staid, aging spinster. So the whole dynamic of the novel shifts. It’s perfectly natural that Evelyn and Blanche should become friends; but their relationship isn’t wholly natural. I still can’t quite figure things out.

What I loved about this book was Imogen’s reaction to the whole affair; it’s because of it, and her discovery of what’s going on, that she grows and matures as a person. When I began to read this novel, Imogen more or less faded into the background; she really wasn’t compelling enough as a main character, and so I really didn’t become attached to her right away. But the more I read, the more I liked her. She displays a quiet strength as she faces Evelyn and Blache’s affair hat I found quite admirable. I don’t think that a lot of people in her situation, with her kind of personality, would have the strength to do what she does in the end. And she gets major points for putting up with Evelyn for all those years! Elizabeth Jenkins has been compared to Jane Austen and Barbara Pym; there’s less humor in The Tortoise and the Hare, but it’s still a wonderful novel.

Elizabeth Jenkins was a biographer who was best known for her biographies of Elizabeth I and Jane Austen. She passed away last month, aged 105.

Comments

S. Krishna said…
This sounds like an interesting book. Thanks for the review!

Popular posts from this blog

Another giveaway

This time, the publicist at WW Norton sent me two copies of The Glass of Time , by Michael Cox--so I'm giving away the second copy. Cox is the author of The Meaning of Night, and this book is the follow-up to that. Leave a comment here to enter to win it! The deadline is next Sunday, 10/5/08.

A giveaway winner, and another giveaway

The winner of the Girl in a Blue Dress contest is... Anna, of Diary of An Eccentric ! My new contest is for a copy of The Shape of Mercy , by Susan Meissner. According to Publisher's Weekly : Meissner's newest novel is potentially life-changing, the kind of inspirational fiction that prompts readers to call up old friends, lost loves or fallen-away family members to tell them that all is forgiven and that life is too short for holding grudges. Achingly romantic, the novel features the legacy of Mercy Hayworth—a young woman convicted during the Salem witch trials—whose words reach out from the past to forever transform the lives of two present-day women. These book lovers—Abigail Boyles, elderly, bitter and frail, and Lauren Lars Durough, wealthy, earnest and young—become unlikely friends, drawn together over the untimely death of Mercy, whose precious diary is all that remains of her too short life. And what a diary! Mercy's words not only beguile but help Abigail and Lars

Six Degrees of Barbara Pym's Novels

This year seems to be The Year of Barbara Pym; I know some of you out there are involved in some kind of a readalong in honor of the 100th year of her birth. I’ve read most of her canon, with only The Sweet Dove Died, Civil to Strangers, An Academic Question, and Crampton Hodnet left to go (sadly). Barbara Pym’s novels feature very similar casts of characters: spinsters, clergymen, retirees, clerks, and anthropologists, with which she had direct experience. So it stands to reason that there would be overlaps in characters between the novels. You can trace that though the publication history of her books and therefore see how Pym onionizes her stories and characters. She adds layers onto layers, adding more details as her books progress. Some Tame Gazelle (1950): Archdeacon Hoccleve makes his first appearance. Excellent Women (1952): Archdeacon Hoccleve gives a sermon that is almost incomprehensible to Mildred Lathbury; Everard Bone understands it, however, and laughs