The other day, as I looked at my copy of Cynthia Harrod-Eagles’s The Founding, I realized that the cover image in the top band was strangely familiar. The painting is The Thomas More Family, by Rowland Lockey, after a now-lost Hans Holbein the Younger (original painted in the 1520s; copy painted in 1593 and 1594). Holbein's sketch for the painting still exists, though (see it here). The painting was used as inspiration for Vanora Bennett’s Portrait of an Unknown Woman. Which means that the painting is kind of anachronistic for the Cynthia Harrod-Eagles book, which is set during the War of the Roses.
The other day, as I looked at my copy of Cynthia Harrod-Eagles’s The Founding, I realized that the cover image in the top band was strangely familiar. The painting is The Thomas More Family, by Rowland Lockey, after a now-lost Hans Holbein the Younger (original painted in the 1520s; copy painted in 1593 and 1594). Holbein's sketch for the painting still exists, though (see it here). The painting was used as inspiration for Vanora Bennett’s Portrait of an Unknown Woman. Which means that the painting is kind of anachronistic for the Cynthia Harrod-Eagles book, which is set during the War of the Roses.
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