Skip to main content

Booking Through Thursday


Other things have words, too, right? Like … songs!
If you’re anything like me, there are songs that you love because of their lyrics; writers you admire because their songs have depth, meaning, or just a sheer playfulness that has nothing to do with the tunes.
So, today’s question?
What songs … either specific songs, or songs in general by a specific group or writer … have words that you love?
Why?
And … do the tunes that go with the fantastic lyrics live up to them?
You don’t have to restrict yourself to modern songsters, either … anyone who wants to pick Gilbert & Sullivan, for example, is just fine with me. Lerner & Loewe? Steven Sondheim? Barenaked Ladies? Fountains of Wayne? The Beatles? Anyone at all…

The songs I listen to are chosen mostly based on tune, not lyrics. So the lyrics of the songs I listen to usually don’t have much meaning or depth—strange, considering I’m one of the most word-obsessed people I know.

My taste runs mostly to rock, though it’s not exclusive. Songs that I keep finding myself listening to over and over again include “Hurricane,” by Athlete; “I Still Remember,” by Bloc Party; anything by Black Tie Dynasty, Collective Soul, Idlewild, or the Kaiser Chiefs; and (don’t laugh) “Sexbomb,” by Tom Jones. I like that last because of the playfulness of its lyrics, of course.

There’s also a fair bit of eighties music on repeat right now, with “True Faith,” by New Order, a few songs by Depeche Mode, and (again, don’t laugh) “You Spin Me Round,” by Dead or Alive (whenever I listen to it, I think of the opening scene of The Wedding Singer and jut laugh). The biggest surprise on my playlist is “Happy Together,” by the Turtles. And one of my all-time favorite songs is “Heavy,” by Collective Soul. Probably the most divine 2:56 I’ve ever listened to in my life.

Comments

S. Krishna said…
OOH - I love True Faith by New Order!
Anna Claire said…
Aw Collective Soul. Sooooo good.

I've been listening to Kate Nash recently. Aside from the cursing, I LOVE her lyrics. It sounds like she's just carrying on a conversation with a friend, and yet all the words are chosen carefully to convey an exact meaning. Plus her voice is great and her cockney (?) accent is to die for. Definitely recommended if you can stand a bit of bad language.
Alix said…
I haven't heard you spin me round in years but I loved it.
Anonymous said…
I've got lots of them swimming in my head. The one that sticks out is I Don't Want to Say Goodbye by Teddy Thompson from The Brokeback Mountain.

Popular posts from this blog

Another giveaway

This time, the publicist at WW Norton sent me two copies of The Glass of Time , by Michael Cox--so I'm giving away the second copy. Cox is the author of The Meaning of Night, and this book is the follow-up to that. Leave a comment here to enter to win it! The deadline is next Sunday, 10/5/08.

A giveaway winner, and another giveaway

The winner of the Girl in a Blue Dress contest is... Anna, of Diary of An Eccentric ! My new contest is for a copy of The Shape of Mercy , by Susan Meissner. According to Publisher's Weekly : Meissner's newest novel is potentially life-changing, the kind of inspirational fiction that prompts readers to call up old friends, lost loves or fallen-away family members to tell them that all is forgiven and that life is too short for holding grudges. Achingly romantic, the novel features the legacy of Mercy Hayworth—a young woman convicted during the Salem witch trials—whose words reach out from the past to forever transform the lives of two present-day women. These book lovers—Abigail Boyles, elderly, bitter and frail, and Lauren Lars Durough, wealthy, earnest and young—become unlikely friends, drawn together over the untimely death of Mercy, whose precious diary is all that remains of her too short life. And what a diary! Mercy's words not only beguile but help Abigail and Lars...

Review: The Piano Teacher, by Janice Y.K. Lee

The Piano Teacher is a complicated novel. On the surface, it’s about a love affair between two British ex-patriots in Hong Kong in 1952-3. Claire Pendleton comes to Hong Kong with her husband Martin at a time when the world is still recovering from WWII; Claire takes up work as a piano teacher for the daughter of a wealthy Chinese family, where she meets Will Truesdale, the Chens’ enigmatic chauffeur. The book jumps back in time between the 1950s and the beginning of WWII, when Will is interned in Stanley, a Hong Kong camp for enemies of Japan. On “the outside” is Tudy Liang, Will’s beautiful Eurasian lover. There’s no doubt that Lee’s writing is beautiful. But there’s something lacking in this short, terse novel that I can’t quite put my finger on. First, I think it’s the tenses she uses when taking about each story: that which is set in the 1950s is in the past tense, while the war scenes are talked about in the present tense (confusing, no?) The interpersonal relationships of the m...