Skip to main content

Review: The Italian Boy, by Sarah Wise


The Italian Boy is the story of a little-known 19th century murder. The story begins in 1832 with the delivery of the body of an “Italian boy” to one of London’s many private medical schools. In the 19th century, medical schools acquired subjects to practice on from London’s many pauper’s graves; the body of the body was fresher than one might expect, and lacked burial marks.

What followed was an investigation into the murder of an Italian boy, never fully identified by contemporaries. The search for the boy’s murderers led to the infamous trial of his suppliers—John Bishop, James May, and Thomas Williams. The murders echoed those of Burke and Hare, two famous resurrectionists after whom the term “burking” was coined.

I liked this book, sort of. Although the author goes off on tangents (she talks in general about poverty in the early 19th century, Italian politics, and the Smithfield meat market, which seemed to me to be “filler” for the book, almost like a newspaper article extended to a 300-page book), she presents to her reader a compelling murder story with a bit of a mystery—who was the Italian boy that Bishp, May and Williams supplied to Kings College? On the other hand, I felt as though the author failed to draw any conclusions about the murder, murderers, or to connect various pieces of the puzzle. The book is accompanied by nice engraving reproductions.

Comments

Marg said…
Is this fiction or non-fiction?

Popular posts from this blog

Another giveaway

This time, the publicist at WW Norton sent me two copies of The Glass of Time , by Michael Cox--so I'm giving away the second copy. Cox is the author of The Meaning of Night, and this book is the follow-up to that. Leave a comment here to enter to win it! The deadline is next Sunday, 10/5/08.

A giveaway winner, and another giveaway

The winner of the Girl in a Blue Dress contest is... Anna, of Diary of An Eccentric ! My new contest is for a copy of The Shape of Mercy , by Susan Meissner. According to Publisher's Weekly : Meissner's newest novel is potentially life-changing, the kind of inspirational fiction that prompts readers to call up old friends, lost loves or fallen-away family members to tell them that all is forgiven and that life is too short for holding grudges. Achingly romantic, the novel features the legacy of Mercy Hayworth—a young woman convicted during the Salem witch trials—whose words reach out from the past to forever transform the lives of two present-day women. These book lovers—Abigail Boyles, elderly, bitter and frail, and Lauren Lars Durough, wealthy, earnest and young—become unlikely friends, drawn together over the untimely death of Mercy, whose precious diary is all that remains of her too short life. And what a diary! Mercy's words not only beguile but help Abigail and Lars

Six Degrees of Barbara Pym's Novels

This year seems to be The Year of Barbara Pym; I know some of you out there are involved in some kind of a readalong in honor of the 100th year of her birth. I’ve read most of her canon, with only The Sweet Dove Died, Civil to Strangers, An Academic Question, and Crampton Hodnet left to go (sadly). Barbara Pym’s novels feature very similar casts of characters: spinsters, clergymen, retirees, clerks, and anthropologists, with which she had direct experience. So it stands to reason that there would be overlaps in characters between the novels. You can trace that though the publication history of her books and therefore see how Pym onionizes her stories and characters. She adds layers onto layers, adding more details as her books progress. Some Tame Gazelle (1950): Archdeacon Hoccleve makes his first appearance. Excellent Women (1952): Archdeacon Hoccleve gives a sermon that is almost incomprehensible to Mildred Lathbury; Everard Bone understands it, however, and laughs