The Best of Everything is a pretty intriguing novel. Set in New York City in the 1950s, the story focuses on five career women: Caroline, the Radcliffe graduate who still lives with her parents; April, the naive girl from Colorado; Gregg, the actress; Barbara, the single mom, and Mary Agnes, the young woman who anticipates her wedding. There’s also Miss Fawcett, an editor who’s sort of a Miranda-Priestly-in-training. They all work at Fabian Publishing while dreaming of something bigger and better.
Jaffe intended her book to be a kind of cautionary tale, but oddly enough, it’s had the opposite effect on young women everywhere; many decide to go into publishing or to work in New York because of this book. Like many other first novels, Jaffe’s book is largely autobiographical; she too went to Radcliffe and worked for a while in publishing as a file clerk and then as an editor. One wonders if Jaffe's romantic relationships were anything like the relationships in the novel.
Though the publishing industry had changed significantly in the fifty years since The Best of Everything was published, in many ways this book is still highly relevant today. At one point, one of the characters says, with regards to the women who work in the typing pool (also known as “the bullpen”) in publishing, “They’re all college girls with good educational backgrounds and no experience and they’re willing to work for practically nothing. That’s why Fabian can pay so little and get away with it.” The same thing can be said for the publishing industry today. It’s really a timeless book, much more so than Jacqueline Suzann’s Valley of the Dolls (which is similar to The Best of Everything in a lot of ways). For the time in which this novel was published, Jaffe was pretty open and candid about things such as abortion and sexual harassment. In all, this is the rare kind of novel where you really care about the characters, long after you've put the book down.