Skip to main content

Review: Snobs, by Julian Fellowes


Snobs is the story of London "society," and the people who aspire to live in the kind of world where everyone has a title. There is "a subconscious urge on their part to create the comforting illusion that England, or rather the England of the middle and upper classes, is criss-crossed with a million invisible silken threads that weave them together into a brilliant community of rank and grace and exclude everyone else."

Everyone pretends to know everyone else, even if they have never been introduced. In addition, there's a secret code whereby people know each other: in the bestowing of casual, rather ridiculous nicknames such as "pookie" and "sausage." The upper class "think the names imply a kind of playfulness... but they are really a simple reaffirmation of insularity, a reminder of shared history that excludes more recent arrivals, yet another way of publicly displaying their intimacy with each other." Newcomers can't use these nicknames without feeling ridiculous; but they can't use one's title, wither, because that would imply that one is not acquainted with that social set. It's a complicated world in which these people live, eh?

David Easton is an upper-class wannabe, who, although he has money, is not "society." Edith Laverty is in the same position, and aspires to a marriage into English High Society. That's why her marriage to Charles, Earl of Broughton, is of the utmost importance- at least to her and her decidedly middle-class parents. Everyone is surprised, yet not surprised, when their engagement is made public at a garden party at Broughton Hall. His mother, "Googie," is not inclined to favor the match, thinking that Edith Laverty is only after her son's money and title. And at first it would seem that she is only after that. But I think that Edith really and truly did care for Charles himself. A little.

Our narrator is an unknown actor; friend to the Lavertys and Eastons, but acquainted with the world that the Broughtons occupy. He is rather like the character the author is; an actor himself, he wrote the screenplay for Gosford Park (as the book jacket makes abundantly clear). And Snobs is really not much different from Gosford Park- same milieu, same kinds of characters, etc., though of course without a murder. We've even been given the same kinds of interlopers: actors and societal wannabes. This is a highly entertaining book that chews up and spits out the people who live in, or aspire to live in, upper-class England. Fellowes has been compared to Wodehouse, though I would argue that this author is a little less polished than his literary forbear.

Comments

Popular posts from this blog

2015 Reading

January
1. The Vanishing Witch, by Karen Maitland
2. Pride and Prejudice, by Jane Austen
3. Texts From Jane Eyre, by Mallory Ortberg
4. Brighton Rock, by Graham Green
5. Brat Farrar, by Josephine Tey
6. Eat, Pray, Love, by Elizabeth Gilbert
7. Anna Karenina, by Leo Tolstoy
8. A Movable Feast, by Ernest Hemingway
9. A Room of One's Own, by Virginia Woolf
10. Other Voices, Other Rooms, by Truman Capote
11. Maggie-Now, by Betty Smith

February
1. Middlemarch, by George Eliot
2. To Kill a Mockingbird, by Harper Lee
3. Nerdy, Shy, and Socially Inappropriate, by Cynthia Lee
4. Music For Chameleons, by Truman Capote
5. Peyton Place, by Grace Metalious
6. Unrequited, by Lisa Phillips
7. Brideshead Revisited, by Evelyn Waugh
8. A Lost Lady, by Willa Cather

March
1. Persuasion, by Jane Austen
2. Love With a Chance of Drowning, by Torre DeRoche
3. One Hundred Years of Solitude, by Gabriel Garcia Marquez
4. Miss Buncle's Book, by DE Stevenson
5. One Hundred Years of Solitude, by Gabriel Garc…

2016 Reading

January:
1. The Jungle, by Upton Sinclair
2. The Wonderful Wizard of Oz, by L. Frank Baum
3. The Awakening, by Kate Chopin
4. Liar: A Memoir, by Rob Roberge

February:
1. The Forsyte Saga, by John Galsworthy
2. Girl in the Woods, by Aspen Matis
3. She Left Me the Gun, by Emma Brockes
4. Because of the Lockwoods, by Dorothy Whipple
5. The Chronology of Water, by Lidia Yuknavitch
6. To Show and to Tell, by Philip Lopate

March:
1. Fierce Attachments, by Vivian Gornick
2. Too Brief a Treat, by Truman Capote
3. On the Move: a Life, by Oliver Sacks
4. The Go-Between, by LP Hartley
5. The Art of Memoir, by Mary Karr
6. Giving Up the Ghost, by Hilary Mantel
7. I Know Why the Caged Bird Sings, by Maya Angelou
8. The Great American Bus Ride, by Irma Kurtz
9. An Unquiet Mind, by Kay Radfield Jamison
10. A Widow's Story, by Joyce Carol Oates
11. So Sad Today, by Melissa Broder
12. The Liar's Club, by Mary Karr
13. An American Childhood, by Annie Dillard
14. So Sad Today, by Melissa Broder

Review: Forever Amber, by Kathleen Winsor

Pages: 972Originally published: 1944My edition: 2000 (Chicago Review Press)How I acquired my copy: Amazon.com, 2004

Forever Amber takes place in the 1660s, immediately follwing Charles II's ("the Merry Monarch") return of the Stuarts to the English throne. The book features Amber St. Claire, a young woman who starts out as a sixteen-year-old country girl, naieve to the workings of the world. She immediately meets Bruce Carlton, a dashing young Cavalier, with whom she has a passionate love affair in choppy intervals throughout the book. They have two children together, but Bruce won't marry her for the reason he tells his friend Lord Almsbury: that Amber just isn't the kind of woman one marries.

Upon following Bruce to London, he goes to Virginia, leaving her to fend for herself. What follows is a series of affairs and four marriages, with Bruce coming back from America now and then. Amber's marriages are imprudent: her first husband is a gambler, her second is…